The House  /  The Last Good Swing

The Booth

Season One — Episode 03

He called back the next morning.

I was sitting on the edge of the hotel bed, schedule book open, pen uncapped, trying to write the schedule for a day I hadn’t decided yet how to live. The phone rang. I let it ring twice — the body wanting to confirm the number on the display before the mouth had to commit to anything.

His voice was calm. Quieter than I’d expected. The voice of someone who’d already had this conversation a hundred times with a hundred different bodies sitting on a hundred different hotel-bed edges.

“This is Lewis Sharpe. You called yesterday.”

Yeah.

“How are you this morning?”

The question wasn’t pleasantry. He was asking the actual question. Most people ask how are you the way you ask how’s it going — a placeholder, the verbal equivalent of a handshake. He was asking the medical version. The body’s answer.

I’m — I stopped. Restarted. I don’t know.

“Fair.” He didn’t push. “Want to meet?”

Yeah.

“I don’t like offices for first conversations. Too many walls. Too much fluorescent light.” Something set down on his end — a cup, a pen, something with a base to it. He wasn’t working an angle. He was checking whether the next sentence was the right sentence. “There’s a diner in town. Margie’s. Off Dale Mabry. The booths are old vinyl, and the coffee is older than the booths. I’ll meet you there.”

What time?

“Whatever time works for you. I’ll come when you say.”

He didn’t pick the time. That was the first thing. I noticed it later, replaying the conversation in my head — the way I always replay the first contact with anyone who matters, listening for the thing they did or didn’t do that told me they were safe. He didn’t pick the time. He gave me the time.

Six fifty. Before the morning rush.

“Six fifty. I’ll be there.”

He hung up first. He didn’t wait for me to hang up. That was the second thing. The kind of small generosity that nobody who hasn’t lived in my brain would ever notice — letting the other person off the call without making them perform the closing ritual. He’d ended it for both of us. I held the receiver, listening to the dial tone return, and then set it back in the cradle.

The body’s clock said: forty-one minutes until six fifty.

I sat on the edge of the bed for nineteen of them.

The room’s pre-leaving routine took three more. It had its own grammar.

Schedule book closed.

Before the pen got capped it had one more job. Hotel stationery, my hand:

Hey Skip, need a day, have something to take care of.


The rest of this one is for readers

This story lives in Daylight, with Hemming Allen Grant and Gray I. Rony — $2.78 a month, or $27.80 a year. Or take the Whole House.

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